...My work circles humyn mark-making throughout history:- how we have touched the world.  I often thread together macro-micro layers from nature, religion, and human interactions, introducing the possibility of new relationships.  When exploring these residual traces, and ethers caused by the actions of body, speech, and mind I consider how might their histories affect our present conditions and in what ways can we interpret them before considering our future actions.

I have a multi-disciplinary practice and let the idea choose the medium, incorporating drawing, bookmaking, video, photography, sculpture, and sewing-separate and all together. 

My influences and inspiration come from an ever-evolving list of conditions/states/observations and things including.... almost nothing…breathing in breathing out…caves…dragonflies…enough to say it’s far…fog...ferries…ghosts…humidity…ink...kindness…liminal spaces...moon jars…never ever...right as rain…silent illumination...shattering the great doubt...stalagmites and stalactites...thunder…unacknowledged labour...voids…where the river meets the sea...x-rays... yolks of eggs, and zen...